Frank Sinatra, Tony Bennett, Dean Martin, Bobby Darin… Wyatt Michael! Recently featured as a finalist on The Voice, crooner Wyatt Michael brings to life the songs and sounds of these iconic vocalists. This show will also feature Chris Whiteman on guitar, John Toomey on piano, Jimmy Masters on bass, and Emre Kartari on drums.

A nod to Manhattan Transfer and Tin Pan Alley, "I'll Take Manhattan" will feature 9-time Grammy Award winner, 17-time Grammy-nominated jazz vocal luminary Janis Siegel, founding member of The Manhattan Transfer. With nine solo records to her credit, Janis has been bringing jazz to worldwide audiences since the early 70s, both as a highly acclaimed solo artist and in the company of world-renowned Manhattan Transfer.

John Fedchock's illustrious career in jazz has spanned over four decades. Since his emergence on the scene in 1980, Fedchock has established himself as a world-class trombone soloist, a heralded bandleader, and a Grammy-nominated arranger. An in-demand performer and writer in New York City, his multifaceted talents have led him to become one of NYC's premier jazz artists. His critically acclaimed John Fedchock New York Big Band has become a marquee group, showcasing Fedchock's trombone and arranging as well as the band's all-star soloists. The JFNYBB's five CDs on the MAMA and Reservoir Music labels have all received high praise from critics and extraordinary success on national jazz radio charts. The early success of the band resulted in Fedchock's name appearing in DOWNBEAT's Readers Poll under the categories of Trombone, Arranger and Big Band, simultaneously for several consecutive years. In recognition of his formidable arranging skills, Fedchock is a two-time GRAMMY Award nominee for "Best Instrumental Arrangement". The JFNYBB's recordings have appeared in jazz radio's Top Ten, and the New York Times has applauded the band's "Cheerful Syncopation, Served With Spit-and-Polish Precision." Small group projects with his quartet and NY Sextet showcase A-list sidemen along with Fedchock's "incomparable trombone playing, which seems to have no limit, technically or musically" (JazzReview.com).